In this captivating triptych, inspired by Louis de Caullery's painting "Christ and the Two Thieves at Golgotha," a dancer concealed behind a gorilla mask narrates a journey of transformation and redemption. The gorilla mask represents societal pressures and racial roles, serving as a metaphor for the masks we all wear. In the first panel, embodying Saint Dismas, the dancer signifies the potential for growth and redemption, breaking free from societal expectations. The central panel, with the dancer as Christ, transcends racial imagery and emphasizes universal sacrifice and spiritual growth. The final panel, as the rebel thief, symbolizes defiance and resilience against predefined roles. "Gorilla's Parable" invites contemplation of identity, societal constraints, and the enduring nature of racial bias within the context of the gorilla mask's symbolism.